Music Question;
20-Dollar-Bill Spam


A well-known speaker started off his seminar by holding up a $20 bill. In the room of 200, he asked, "Who would like this $20 bill?" Hands started going up. He said, "I am going to give this $20 to one of you but first, let me do this." He proceeded to crumple the dollar bill up.

He then asked, "Who still wants it?" Still the hands were up in the air.

"Well," he replied, "what if I do this?" And he dropped it on the ground and started to grind it into the floor with his shoe crumpled and dirty.

"Now who still wants it?" Still the hands went into the air. "My friends, you have all learned a very valuable lesson. No matter what I did to the money, you still wanted it because it did not decrease in value.

It was still worth $20. Many times in our lives, we are dropped, crumpled, and ground into the dirt by the decisions we make and the circumstances that come our way. We feel as though we are worthless. But no matter what has happened or what will happen, you will never lose your value in God's eyes. To Him, dirty or clean, crumpled or finely creased, you are still priceless. Psalm 17:8 states that God will keep us, "as the apple of His eye." THOUGHT: The worth of our lives come not in what we do or who we are but by WHO'S WE ARE!

You are special - Don't ever forget it! Please pass this on to everyone in your e-mail address book. You will never know the lives it touches, the hurting hearts it speaks to, or the hope that it can bring.

Graphic Rule

From: "Positive Atheism" <>
To: "Ross"
Subject: Re: WebMaster:_Positive_Atheism_Index
Date: Sunday, July 02, 2000 9:42 PM

... or the SPAMming complaints it can generate! Make sure your time is paid up on your server and you already have another one lined up before you click "Forward To All" on stuff like this!

Interesting -- when the analogy is with a $20 bill!

I am now listening to some compilations from House of Blues records, as I prepare for a night of karaoke. If I keep this stuff going 'round in the background while I work, it works its way into my singing style. I love the blues. I have the range and style of about Joe Cocker or Neil Diamond or Robert Lamm of Chicago. While I don't have quite the range of David Clayton Thomas (of Blood Sweat and Tears) in some of his other material, I can pull off "And When I Die" without a hitch, and with similar smoothness. I do, however, adjust the words to be considerably less agnostic: "I swear there ain't no heaven / I don't pray there ain't no hell" and "Ain't gonna go by devil / Ain't gonna go by Satan / Ain't gonna go by demon / Don't wanna die uneasy / Just let me go naturally."

Most of what I own is late-60s and early-70s blues-powered rock, mainly the white, middle-class blues-rock from England and the West Coast. I only recently got into southern-fried rock, such as the Allman Brothers and Lynyrd Skynyrd. If you saw my collection, you would see that it is quite varied, and that it does have a solid sample of the classics as well as much that you've probably never heard of before (unless you've been a disc jockey or a used-record buyer for several decades). There has always been a big spot in my heart for the dark, poetic stuff like Tom Waits, Lou Reed, Patti Smith, and Peter Hammill.

The telephone company technician was over here not too long ago, and while waiting for a call-back from the super he spent some time sizing up my collection. I suddenly realized out loud that all the stuff I've ever liked tends toward the counter-culture. I also like it dark, one of my favorite current pieces being Tom Waits's "What's He Building?" I can't tell who gives me the creeps more, the guy the protagonist is talking about in the piece -- or the meddling protagonist himself! "I'll tell you one thing / He's not building a playhouse for the children." I also love that line from "Ninth and Hanipin": "Such a crumbling beauty / Ah, there ain't nothin' wrong with her / A hundred dollars wouldn't fix."

I've never had any use for smarmy love songs. Maybe that's why I don't get laid as often as the guys who like the commercial hits. Or meybe they're lying about their success rates. Either way, no big loss, though; I can't stand to be around what Zappa called "Plastic People / Oh, baby / No you gotta go" (to the tune of "Louie Louie").

Cliff Walker
"Positive Atheism" Magazine

Graphic Rule

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